worlds evil? Love
A friend tells me ...
is discussing with his cartoonist confidence horrors of translation, lettering, etc.. Planeta De Agostini, after having reported the last two volumes Hellblazer (read what it says here smoky man and here). My friend said that the number and quality of errors is likely to consider those copies fallacious. And that is a sign of extreme superficiality of editorial work. For this reason, the refunds. The cartoonist, trustworthy person and very transparent, accepted copies and returned the money . Agreeing in general with the position of my friend.
Then my friend says, Have you ever seen similar errors in the production Panini Comics, what is in effect the main competitor of Planeta? The comparison is correct. Panini has proven in many years of attention to this type of error to the appropriate professional. A rare, rare find comics with spelling errors, not to mention balloons in other languages \u200b\u200bor other amenities.
The cartoonist of my friend put it on. Panini Comics is evil, he says. It will not make that level of error, he says, but over the years has accustomed readers to read more bad things and packaged in the worst ways. To give an example to my friend, take one of the last balloons Avengers with art three or four wings folded, to show him how the pages are larger than the cover, which did not cover completely folded. Yes, I think my friend, a job really bad. A job that Panini has always been that way. Production needs, says the cartoonist. Unacceptable, says the cartoonist. Not to mention, he said, the quality of manga publishing and the quality of other productions, such as the 100%, from the French made smaller volumes.
You may agree, but the comparison does not hold with Planeta. Planeta publishes a work full of errors. The reader, knowingly buy a product and when the law is different from how it should be. Flawed. Sandwiches following an editorial line, debatable, but made with professionalism. What you see and you expect looking at the product purchase, is what you will find reading it. Rather, the reader is not buying a product that does not like. The cartoonist
but insists, Panini is evil. Because of him, readers have become accustomed to everything.
I wonder, having the respect that I firmly for freedom of choice of players, we all have the responsibility to purchase, where does this perception of an insider? The problem is intolerance
of having to fill out the health food store that does not appreciate at the expense of others that he would consider more important, interesting, because it is what we look for? Or, there really is a mechanism miseducation downward?
Harry
Monday, February 28, 2011
Painting Red Dress Dancing
worlds evil? Love
A friend tells me ...
is discussing with his cartoonist confidence horrors of translation, lettering, etc.. Planeta De Agostini, after having reported the last two volumes Hellblazer (read what it says here smoky man and here). My friend said that the number and quality of errors is likely to consider those copies fallacious. And that is a sign of extreme superficiality of editorial work. For this reason, the refunds. The cartoonist, trustworthy person and very transparent, accepted copies and returned the money . Agreeing in general with the position of my friend.
Then my friend says, Have you ever seen similar errors in the production Panini Comics, what is in effect the main competitor of Planeta? The comparison is correct. Panini has proven in many years of attention to this type of error to the appropriate professional. A rare, rare find comics with spelling errors, not to mention balloons in other languages \u200b\u200bor other amenities.
The cartoonist of my friend put it on. Panini Comics is evil, he says. It will not make that level of error, he says, but over the years has accustomed readers to read more bad things and packaged in the worst ways. To give an example to my friend, take one of the last balloons Avengers with art three or four wings folded, to show him how the pages are larger than the cover, which did not cover completely folded. Yes, I think my friend, a job really bad. A job that Panini has always been that way. Production needs, says the cartoonist. Unacceptable, says the cartoonist. Not to mention, he said, the quality of manga publishing and the quality of other productions, such as the 100%, from the French made smaller volumes.
You may agree, but the comparison does not hold with Planeta. Planeta publishes a work full of errors. The reader, knowingly buy a product and when the law is different from how it should be. Flawed. Sandwiches following an editorial line, debatable, but made with professionalism. What you see and you expect looking at the product purchase, is what you will find reading it. Rather, the reader is not buying a product that does not like. The cartoonist
but insists, Panini is evil. Because of him, readers have become accustomed to everything.
I wonder, having the respect that I firmly for freedom of choice of players, we all have the responsibility to purchase, where does this perception of an insider? The problem is intolerance
of having to fill out the health food store that does not appreciate at the expense of others that he would consider more important, interesting, because it is what we look for? Or, there really is a mechanism miseducation downward?
Harry
A friend tells me ...
is discussing with his cartoonist confidence horrors of translation, lettering, etc.. Planeta De Agostini, after having reported the last two volumes Hellblazer (read what it says here smoky man and here). My friend said that the number and quality of errors is likely to consider those copies fallacious. And that is a sign of extreme superficiality of editorial work. For this reason, the refunds. The cartoonist, trustworthy person and very transparent, accepted copies and returned the money . Agreeing in general with the position of my friend.
Then my friend says, Have you ever seen similar errors in the production Panini Comics, what is in effect the main competitor of Planeta? The comparison is correct. Panini has proven in many years of attention to this type of error to the appropriate professional. A rare, rare find comics with spelling errors, not to mention balloons in other languages \u200b\u200bor other amenities.
The cartoonist of my friend put it on. Panini Comics is evil, he says. It will not make that level of error, he says, but over the years has accustomed readers to read more bad things and packaged in the worst ways. To give an example to my friend, take one of the last balloons Avengers with art three or four wings folded, to show him how the pages are larger than the cover, which did not cover completely folded. Yes, I think my friend, a job really bad. A job that Panini has always been that way. Production needs, says the cartoonist. Unacceptable, says the cartoonist. Not to mention, he said, the quality of manga publishing and the quality of other productions, such as the 100%, from the French made smaller volumes.
You may agree, but the comparison does not hold with Planeta. Planeta publishes a work full of errors. The reader, knowingly buy a product and when the law is different from how it should be. Flawed. Sandwiches following an editorial line, debatable, but made with professionalism. What you see and you expect looking at the product purchase, is what you will find reading it. Rather, the reader is not buying a product that does not like. The cartoonist
but insists, Panini is evil. Because of him, readers have become accustomed to everything.
I wonder, having the respect that I firmly for freedom of choice of players, we all have the responsibility to purchase, where does this perception of an insider? The problem is intolerance
of having to fill out the health food store that does not appreciate at the expense of others that he would consider more important, interesting, because it is what we look for? Or, there really is a mechanism miseducation downward?
Harry
Friday, February 25, 2011
Ideas For Hidden Areas In Closet
property in the study of Munari
write on the train, surrounded by people who occupy the mind games with the phone so tiny as to be incomprehensible and free newspapers, You know, those sheets of paper that you see to convince you to be updated on what's happening around you.
and reflecting on a paradigm shift. When you look at women who are moving around, there is a mechanism automatically associated with the protagonists of the last TV show or the hottest porn stars (which are the same thing, ultimately). Caparezza calls it the revolution of sex in all . It also speaks Roberto Recchioni , in some ways, I point out in passing. Even if what he identifies as subversion seems rather trivial as a totalizing neurotic perversion (and I say, it is clear, without any bias values. In key psychopathological , rather). In this I feel closer to Shoot . But back on topic.
Alessandro Baronciani is tied to an old paradigm, the romantic / nostalgic. The face of a woman, her hair, his pace him back to the protagonists of old French films. This would be enough to describe the look in his latest book Baronciani The girls in the study of Munari (Black Velvet). This work is an author incapable of telling the present, and a leading unable to live the present . The bookseller in love with the art of Munari and three women at once (or just clear?), Who is the protagonist of the book, seems stuck in an eternal past, made up of memories, nostalgia and melancholy abysmal. Nothing happens in this book . Nothing is not a frame of an event already closed, an eternally present time, but always out of phase.
I grew up between the ideas and symbols Bruno Munari. The first memory is The tales of the phone Gianni Munari Rodari cover page. The second is the monkey Zizi, even today among the games of my son. Then his ideas, his writings on design as a new art form (as a profession Arts), the only, he said, able to combine the aesthetic with the practical. His ideas on creativity, education and texture, yes consistency is The term is most useful to me, the consistency of artistic expression. There is a project underway for over ten years in Reggio Emilia which is owned by Reggio Children that is structured based on his ideas about teaching and education. It can read in these magazines . Are extraordinary, revolutionary and, alas, totally the antithesis of the ideas currently in vogue in the political arena on the school. Munari
do not know if you ever interested in comics, but I think I would have appreciated some developments. As the work of Baronciani, and found its papermaking, which results from an exploration of the artistic possibilities of the master. Work Intelligent, full of love and care.
Munari There is a game that I sometimes still use today, is called + e - (more or less) and is composed of many glossy papers with simple stylized designs. The cards can be stacked and the game is to invent scenarios and different stories depending on the compositions of multiple cards. There is a movie that exemplifies the operation.
Baronciani It is with this game that opens his book. Let's stop here. Baronciani builds on the perspectives of narrative and visual Munari, and proposes the comic. The same ago with some principles, such as troubleshooting, noted that, boh, useful? Maybe. Our mind follows the mysterious paths. Yet this attempt to transform the emotional relationships in design seems to contradict the very essence of the approach of Munari. This pause, hide in the past, it seems a intellectual sentimentality a bit 'sterile . Lacking in cruelty, or concrete, there is a suggestion that intellectual unconvincing. An attempt to force the eye of the Italian creative to subject him to something old, static, monolingual.
Baronciani, on the other hand, made even more personal own style, finding a balance formal rewarding for the reader. Sa move, you know show the fragility of the affections, unable to become adults. But if everything turns blue when his eyes icy and melancholy, in relation to the disease, appears happily delicate and anti-pathetic, in The girls in the study of Munari appear translucent and deafening isolated because of the concreteness' existence. Perhaps this thin film that should raise Baronciani to find a relationship with life that, of course, can dirty, but can also allow a steady development of its expressive potential.
Harry.
(c) alessandro Baronciani
write on the train, surrounded by people who occupy the mind games with the phone so tiny as to be incomprehensible and free newspapers, You know, those sheets of paper that you see to convince you to be updated on what's happening around you.
and reflecting on a paradigm shift. When you look at women who are moving around, there is a mechanism automatically associated with the protagonists of the last TV show or the hottest porn stars (which are the same thing, ultimately). Caparezza calls it the revolution of sex in all . It also speaks Roberto Recchioni , in some ways, I point out in passing. Even if what he identifies as subversion seems rather trivial as a totalizing neurotic perversion (and I say, it is clear, without any bias values. In key psychopathological , rather). In this I feel closer to Shoot . But back on topic.
Alessandro Baronciani is tied to an old paradigm, the romantic / nostalgic. The face of a woman, her hair, his pace him back to the protagonists of old French films. This would be enough to describe the look in his latest book Baronciani The girls in the study of Munari (Black Velvet). This work is an author incapable of telling the present, and a leading unable to live the present . The bookseller in love with the art of Munari and three women at once (or just clear?), Who is the protagonist of the book, seems stuck in an eternal past, made up of memories, nostalgia and melancholy abysmal. Nothing happens in this book . Nothing is not a frame of an event already closed, an eternally present time, but always out of phase.
I grew up between the ideas and symbols Bruno Munari. The first memory is The tales of the phone Gianni Munari Rodari cover page. The second is the monkey Zizi, even today among the games of my son. Then his ideas, his writings on design as a new art form (as a profession Arts), the only, he said, able to combine the aesthetic with the practical. His ideas on creativity, education and texture, yes consistency is The term is most useful to me, the consistency of artistic expression. There is a project underway for over ten years in Reggio Emilia which is owned by Reggio Children that is structured based on his ideas about teaching and education. It can read in these magazines . Are extraordinary, revolutionary and, alas, totally the antithesis of the ideas currently in vogue in the political arena on the school. Munari
do not know if you ever interested in comics, but I think I would have appreciated some developments. As the work of Baronciani, and found its papermaking, which results from an exploration of the artistic possibilities of the master. Work Intelligent, full of love and care.
Munari There is a game that I sometimes still use today, is called + e - (more or less) and is composed of many glossy papers with simple stylized designs. The cards can be stacked and the game is to invent scenarios and different stories depending on the compositions of multiple cards. There is a movie that exemplifies the operation.
Baronciani It is with this game that opens his book. Let's stop here. Baronciani builds on the perspectives of narrative and visual Munari, and proposes the comic. The same ago with some principles, such as troubleshooting, noted that, boh, useful? Maybe. Our mind follows the mysterious paths. Yet this attempt to transform the emotional relationships in design seems to contradict the very essence of the approach of Munari. This pause, hide in the past, it seems a intellectual sentimentality a bit 'sterile . Lacking in cruelty, or concrete, there is a suggestion that intellectual unconvincing. An attempt to force the eye of the Italian creative to subject him to something old, static, monolingual.
Baronciani, on the other hand, made even more personal own style, finding a balance formal rewarding for the reader. Sa move, you know show the fragility of the affections, unable to become adults. But if everything turns blue when his eyes icy and melancholy, in relation to the disease, appears happily delicate and anti-pathetic, in The girls in the study of Munari appear translucent and deafening isolated because of the concreteness' existence. Perhaps this thin film that should raise Baronciani to find a relationship with life that, of course, can dirty, but can also allow a steady development of its expressive potential.
Harry.
Ideas For Hidden Areas In Closet
property in the study of Munari
write on the train, surrounded by people who occupy the mind games with the phone so tiny as to be incomprehensible and free newspapers, You know, those sheets of paper that you see to convince you to be updated on what's happening around you.
and reflecting on a paradigm shift. When you look at women who are moving around, there is a mechanism automatically associated with the protagonists of the last TV show or the hottest porn stars (which are the same thing, ultimately). Caparezza calls it the revolution of sex in all . It also speaks Roberto Recchioni , in some ways, I point out in passing. Even if what he identifies as subversion seems rather trivial as a totalizing neurotic perversion (and I say, it is clear, without any bias values. In key psychopathological , rather). In this I feel closer to Shoot . But back on topic.
Alessandro Baronciani is tied to an old paradigm, the romantic / nostalgic. The face of a woman, her hair, his pace him back to the protagonists of old French films. This would be enough to describe the look in his latest book Baronciani The girls in the study of Munari (Black Velvet). This work is an author incapable of telling the present, and a leading unable to live the present . The bookseller in love with the art of Munari and three women at once (or just clear?), Who is the protagonist of the book, seems stuck in an eternal past, made up of memories, nostalgia and melancholy abysmal. Nothing happens in this book . Nothing is not a frame of an event already closed, an eternally present time, but always out of phase.
I grew up between the ideas and symbols Bruno Munari. The first memory is The tales of the phone Gianni Munari Rodari cover page. The second is the monkey Zizi, even today among the games of my son. Then his ideas, his writings on design as a new art form (as a profession Arts), the only, he said, able to combine the aesthetic with the practical. His ideas on creativity, education and texture, yes consistency is The term is most useful to me, the consistency of artistic expression. There is a project underway for over ten years in Reggio Emilia which is owned by Reggio Children that is structured based on his ideas about teaching and education. It can read in these magazines . Are extraordinary, revolutionary and, alas, totally the antithesis of the ideas currently in vogue in the political arena on the school. Munari
do not know if you ever interested in comics, but I think I would have appreciated some developments. As the work of Baronciani, and found its papermaking, which results from an exploration of the artistic possibilities of the master. Work Intelligent, full of love and care.
Munari There is a game that I sometimes still use today, is called + e - (more or less) and is composed of many glossy papers with simple stylized designs. The cards can be stacked and the game is to invent scenarios and different stories depending on the compositions of multiple cards. There is a movie that exemplifies the operation.
Baronciani It is with this game that opens his book. Let's stop here. Baronciani builds on the perspectives of narrative and visual Munari, and proposes the comic. The same ago with some principles, such as troubleshooting, noted that, boh, useful? Maybe. Our mind follows the mysterious paths. Yet this attempt to transform the emotional relationships in design seems to contradict the very essence of the approach of Munari. This pause, hide in the past, it seems a intellectual sentimentality a bit 'sterile . Lacking in cruelty, or concrete, there is a suggestion that intellectual unconvincing. An attempt to force the eye of the Italian creative to subject him to something old, static, monolingual.
Baronciani, on the other hand, made even more personal own style, finding a balance formal rewarding for the reader. Sa move, you know show the fragility of the affections, unable to become adults. But if everything turns blue when his eyes icy and melancholy, in relation to the disease, appears happily delicate and anti-pathetic, in The girls in the study of Munari appear translucent and deafening isolated because of the concreteness' existence. Perhaps this thin film that should raise Baronciani to find a relationship with life that, of course, can dirty, but can also allow a steady development of its expressive potential.
Harry.
(c) alessandro Baronciani
write on the train, surrounded by people who occupy the mind games with the phone so tiny as to be incomprehensible and free newspapers, You know, those sheets of paper that you see to convince you to be updated on what's happening around you.
and reflecting on a paradigm shift. When you look at women who are moving around, there is a mechanism automatically associated with the protagonists of the last TV show or the hottest porn stars (which are the same thing, ultimately). Caparezza calls it the revolution of sex in all . It also speaks Roberto Recchioni , in some ways, I point out in passing. Even if what he identifies as subversion seems rather trivial as a totalizing neurotic perversion (and I say, it is clear, without any bias values. In key psychopathological , rather). In this I feel closer to Shoot . But back on topic.
Alessandro Baronciani is tied to an old paradigm, the romantic / nostalgic. The face of a woman, her hair, his pace him back to the protagonists of old French films. This would be enough to describe the look in his latest book Baronciani The girls in the study of Munari (Black Velvet). This work is an author incapable of telling the present, and a leading unable to live the present . The bookseller in love with the art of Munari and three women at once (or just clear?), Who is the protagonist of the book, seems stuck in an eternal past, made up of memories, nostalgia and melancholy abysmal. Nothing happens in this book . Nothing is not a frame of an event already closed, an eternally present time, but always out of phase.
I grew up between the ideas and symbols Bruno Munari. The first memory is The tales of the phone Gianni Munari Rodari cover page. The second is the monkey Zizi, even today among the games of my son. Then his ideas, his writings on design as a new art form (as a profession Arts), the only, he said, able to combine the aesthetic with the practical. His ideas on creativity, education and texture, yes consistency is The term is most useful to me, the consistency of artistic expression. There is a project underway for over ten years in Reggio Emilia which is owned by Reggio Children that is structured based on his ideas about teaching and education. It can read in these magazines . Are extraordinary, revolutionary and, alas, totally the antithesis of the ideas currently in vogue in the political arena on the school. Munari
do not know if you ever interested in comics, but I think I would have appreciated some developments. As the work of Baronciani, and found its papermaking, which results from an exploration of the artistic possibilities of the master. Work Intelligent, full of love and care.
Munari There is a game that I sometimes still use today, is called + e - (more or less) and is composed of many glossy papers with simple stylized designs. The cards can be stacked and the game is to invent scenarios and different stories depending on the compositions of multiple cards. There is a movie that exemplifies the operation.
Baronciani It is with this game that opens his book. Let's stop here. Baronciani builds on the perspectives of narrative and visual Munari, and proposes the comic. The same ago with some principles, such as troubleshooting, noted that, boh, useful? Maybe. Our mind follows the mysterious paths. Yet this attempt to transform the emotional relationships in design seems to contradict the very essence of the approach of Munari. This pause, hide in the past, it seems a intellectual sentimentality a bit 'sterile . Lacking in cruelty, or concrete, there is a suggestion that intellectual unconvincing. An attempt to force the eye of the Italian creative to subject him to something old, static, monolingual.
Baronciani, on the other hand, made even more personal own style, finding a balance formal rewarding for the reader. Sa move, you know show the fragility of the affections, unable to become adults. But if everything turns blue when his eyes icy and melancholy, in relation to the disease, appears happily delicate and anti-pathetic, in The girls in the study of Munari appear translucent and deafening isolated because of the concreteness' existence. Perhaps this thin film that should raise Baronciani to find a relationship with life that, of course, can dirty, but can also allow a steady development of its expressive potential.
Harry.
Thursday, February 24, 2011
Have I Burnt My Lip Or Is It A Cold Sore
that cohesion, to be more 'STRONG TOMORROW
Liability Policy
"Gaddafi's days. It will be like Hitler committed suicide," are the words of the now former Libyan Minister of Justice, Moustapha Abdel Jalil.
Facing insurrection in Libya, we Italians are among the first to ask a series of questions. What will happen if the conditions turned to the worst of ways? We are in the possibility of following a wave of migration of a certain thickness? When considering the current situation as a move easier for a new wave of "Mori", for how long we can act as a filter for the rest of Europe. And how will Europe itself?
The greatest danger in Libya, is the real possibility that you may come to create favorable conditions for the establishment of a form of government that take advantage of the strong desire for freedom of a mass, so far oppressed and controlled. This form may be called Democracy Fundamentalist. Focused on a labile equilibrium of the two words put in their approach. If this type of democracy in the country managed to make room we settled the last century, Italy has the responsibility to which it is believed that one can not subtract. First maintain a relationship of good neighborliness, without bowing down more than necessary as has happened in the recent past with Raissa. Thus ensuring good management of migratory flows towards the gates of Europe. Secondly, it should urge European leaders to engage directly in the reorganization of the country of Libya without intrusion, so as to prevent the fundamentalists prevail over democracy.
To address this situation, new and urgent at the same time, it is necessary that we return to politics. So, we should not continue to fossilize, for once, on questions or antiberlusconiane Berlusconi. Emergencies are managed together and responsibly. The Italian people showed up today to be responsible and patient against a political class that, however, is capricious. For once, it also demonstrated that the representatives in Parliament. Be cohesive today, it helps to be stronger tomorrow.
Liability Policy
"Gaddafi's days. It will be like Hitler committed suicide," are the words of the now former Libyan Minister of Justice, Moustapha Abdel Jalil.
Facing insurrection in Libya, we Italians are among the first to ask a series of questions. What will happen if the conditions turned to the worst of ways? We are in the possibility of following a wave of migration of a certain thickness? When considering the current situation as a move easier for a new wave of "Mori", for how long we can act as a filter for the rest of Europe. And how will Europe itself?
The greatest danger in Libya, is the real possibility that you may come to create favorable conditions for the establishment of a form of government that take advantage of the strong desire for freedom of a mass, so far oppressed and controlled. This form may be called Democracy Fundamentalist. Focused on a labile equilibrium of the two words put in their approach. If this type of democracy in the country managed to make room we settled the last century, Italy has the responsibility to which it is believed that one can not subtract. First maintain a relationship of good neighborliness, without bowing down more than necessary as has happened in the recent past with Raissa. Thus ensuring good management of migratory flows towards the gates of Europe. Secondly, it should urge European leaders to engage directly in the reorganization of the country of Libya without intrusion, so as to prevent the fundamentalists prevail over democracy.
To address this situation, new and urgent at the same time, it is necessary that we return to politics. So, we should not continue to fossilize, for once, on questions or antiberlusconiane Berlusconi. Emergencies are managed together and responsibly. The Italian people showed up today to be responsible and patient against a political class that, however, is capricious. For once, it also demonstrated that the representatives in Parliament. Be cohesive today, it helps to be stronger tomorrow.
Have I Burnt My Lip Or Is It A Cold Sore
that cohesion, to be more 'STRONG TOMORROW
Liability Policy
"Gaddafi's days. It will be like Hitler committed suicide," are the words of the now former Libyan Minister of Justice, Moustapha Abdel Jalil.
Facing insurrection in Libya, we Italians are among the first to ask a series of questions. What will happen if the conditions turned to the worst of ways? We are in the possibility of following a wave of migration of a certain thickness? When considering the current situation as a move easier for a new wave of "Mori", for how long we can act as a filter for the rest of Europe. And how will Europe itself?
The greatest danger in Libya, is the real possibility that you may come to create favorable conditions for the establishment of a form of government that take advantage of the strong desire for freedom of a mass, so far oppressed and controlled. This form may be called Democracy Fundamentalist. Focused on a labile equilibrium of the two words put in their approach. If this type of democracy in the country managed to make room we settled the last century, Italy has the responsibility to which it is believed that one can not subtract. First maintain a relationship of good neighborliness, without bowing down more than necessary as has happened in the recent past with Raissa. Thus ensuring good management of migratory flows towards the gates of Europe. Secondly, it should urge European leaders to engage directly in the reorganization of the country of Libya without intrusion, so as to prevent the fundamentalists prevail over democracy.
To address this situation, new and urgent at the same time, it is necessary that we return to politics. So, we should not continue to fossilize, for once, on questions or antiberlusconiane Berlusconi. Emergencies are managed together and responsibly. The Italian people showed up today to be responsible and patient against a political class that, however, is capricious. For once, it also demonstrated that the representatives in Parliament. Be cohesive today, it helps to be stronger tomorrow.
Liability Policy
"Gaddafi's days. It will be like Hitler committed suicide," are the words of the now former Libyan Minister of Justice, Moustapha Abdel Jalil.
Facing insurrection in Libya, we Italians are among the first to ask a series of questions. What will happen if the conditions turned to the worst of ways? We are in the possibility of following a wave of migration of a certain thickness? When considering the current situation as a move easier for a new wave of "Mori", for how long we can act as a filter for the rest of Europe. And how will Europe itself?
The greatest danger in Libya, is the real possibility that you may come to create favorable conditions for the establishment of a form of government that take advantage of the strong desire for freedom of a mass, so far oppressed and controlled. This form may be called Democracy Fundamentalist. Focused on a labile equilibrium of the two words put in their approach. If this type of democracy in the country managed to make room we settled the last century, Italy has the responsibility to which it is believed that one can not subtract. First maintain a relationship of good neighborliness, without bowing down more than necessary as has happened in the recent past with Raissa. Thus ensuring good management of migratory flows towards the gates of Europe. Secondly, it should urge European leaders to engage directly in the reorganization of the country of Libya without intrusion, so as to prevent the fundamentalists prevail over democracy.
To address this situation, new and urgent at the same time, it is necessary that we return to politics. So, we should not continue to fossilize, for once, on questions or antiberlusconiane Berlusconi. Emergencies are managed together and responsibly. The Italian people showed up today to be responsible and patient against a political class that, however, is capricious. For once, it also demonstrated that the representatives in Parliament. Be cohesive today, it helps to be stronger tomorrow.
Doctor Loo And The Filthy Phaleks
Some good reasons to read Grandville (2) Gaza
I'm obsessed, bewitched and terrified of what is happening in recent months in North Africa. There is an energy that moves out from under that not only has to do as we say, with despair, but also with a sense of belonging to wider humanity and irrepressible. Unconfined. The violence of despotic attempts to eradicate any alleged membership in the name of stability is unacceptable and bitter. Yet so widespread. In
Grandville, Talbot also speaks of this. This unbearable alternative, hidden behind a seemingly well-off middle class, well-dressed, well-behaved, ... French against English, here. But it's not (only) one speaks of patriotic pride.
Harry
Grandville by Bryan Talbot is published in the U.S. by Dark Horse Comics, in Italy by paragraph 22
(continued)
I'm obsessed, bewitched and terrified of what is happening in recent months in North Africa. There is an energy that moves out from under that not only has to do as we say, with despair, but also with a sense of belonging to wider humanity and irrepressible. Unconfined. The violence of despotic attempts to eradicate any alleged membership in the name of stability is unacceptable and bitter. Yet so widespread. In
Grandville, Talbot also speaks of this. This unbearable alternative, hidden behind a seemingly well-off middle class, well-dressed, well-behaved, ... French against English, here. But it's not (only) one speaks of patriotic pride.
Harry
Grandville by Bryan Talbot is published in the U.S. by Dark Horse Comics, in Italy by paragraph 22
(continued)
Doctor Loo And The Filthy Phaleks
Some good reasons to read Grandville (2) Gaza
I'm obsessed, bewitched and terrified of what is happening in recent months in North Africa. There is an energy that moves out from under that not only has to do as we say, with despair, but also with a sense of belonging to wider humanity and irrepressible. Unconfined. The violence of despotic attempts to eradicate any alleged membership in the name of stability is unacceptable and bitter. Yet so widespread. In
Grandville, Talbot also speaks of this. This unbearable alternative, hidden behind a seemingly well-off middle class, well-dressed, well-behaved, ... French against English, here. But it's not (only) one speaks of patriotic pride.
Harry
Grandville by Bryan Talbot is published in the U.S. by Dark Horse Comics, in Italy by paragraph 22
(continued)
I'm obsessed, bewitched and terrified of what is happening in recent months in North Africa. There is an energy that moves out from under that not only has to do as we say, with despair, but also with a sense of belonging to wider humanity and irrepressible. Unconfined. The violence of despotic attempts to eradicate any alleged membership in the name of stability is unacceptable and bitter. Yet so widespread. In
Grandville, Talbot also speaks of this. This unbearable alternative, hidden behind a seemingly well-off middle class, well-dressed, well-behaved, ... French against English, here. But it's not (only) one speaks of patriotic pride.
Harry
Grandville by Bryan Talbot is published in the U.S. by Dark Horse Comics, in Italy by paragraph 22
(continued)
Wednesday, February 23, 2011
Slogan On Eating Healthy
How (not) teaches
Joe Sacco is explained by slamming in his face. If you take a population and close in a confinement, on the one hand an Egyptian wall on the other, everywhere, checkpoints and the military, before or after the same people will rebel and the consequences will be terrible. The fist clenches. But until you can take such a confrontation?
happens in Libya and Italy. If you make a deal with a dictator, which provides for payments of large sums in return for Libyan captivity in the prisons of illegal immigrants and political refugees from North Africa, if I claim this pact as a major political victory, if not you admit that a pact with the devil unacceptable if this compromise is just the latest in a decades-long series, which affected every Italian government ... must accept the fact that if the dictator falls, it opens an abyss of violence and escape. Here, all the hypocrisy of domestic policy League explodes revolt North Africa. The fist clenches. E Bossi and Maroni cats have pissed attached to the balls.
The objective fact is that neither the one nor the other have never read Joe Sacco.
Harry
(c) Joe Sacco
Joe Sacco is explained by slamming in his face. If you take a population and close in a confinement, on the one hand an Egyptian wall on the other, everywhere, checkpoints and the military, before or after the same people will rebel and the consequences will be terrible. The fist clenches. But until you can take such a confrontation?
happens in Libya and Italy. If you make a deal with a dictator, which provides for payments of large sums in return for Libyan captivity in the prisons of illegal immigrants and political refugees from North Africa, if I claim this pact as a major political victory, if not you admit that a pact with the devil unacceptable if this compromise is just the latest in a decades-long series, which affected every Italian government ... must accept the fact that if the dictator falls, it opens an abyss of violence and escape. Here, all the hypocrisy of domestic policy League explodes revolt North Africa. The fist clenches. E Bossi and Maroni cats have pissed attached to the balls.
The objective fact is that neither the one nor the other have never read Joe Sacco.
Harry
Slogan On Eating Healthy
How (not) teaches
Joe Sacco is explained by slamming in his face. If you take a population and close in a confinement, on the one hand an Egyptian wall on the other, everywhere, checkpoints and the military, before or after the same people will rebel and the consequences will be terrible. The fist clenches. But until you can take such a confrontation?
happens in Libya and Italy. If you make a deal with a dictator, which provides for payments of large sums in return for Libyan captivity in the prisons of illegal immigrants and political refugees from North Africa, if I claim this pact as a major political victory, if not you admit that a pact with the devil unacceptable if this compromise is just the latest in a decades-long series, which affected every Italian government ... must accept the fact that if the dictator falls, it opens an abyss of violence and escape. Here, all the hypocrisy of domestic policy League explodes revolt North Africa. The fist clenches. E Bossi and Maroni cats have pissed attached to the balls.
The objective fact is that neither the one nor the other have never read Joe Sacco.
Harry
(c) Joe Sacco
Joe Sacco is explained by slamming in his face. If you take a population and close in a confinement, on the one hand an Egyptian wall on the other, everywhere, checkpoints and the military, before or after the same people will rebel and the consequences will be terrible. The fist clenches. But until you can take such a confrontation?
happens in Libya and Italy. If you make a deal with a dictator, which provides for payments of large sums in return for Libyan captivity in the prisons of illegal immigrants and political refugees from North Africa, if I claim this pact as a major political victory, if not you admit that a pact with the devil unacceptable if this compromise is just the latest in a decades-long series, which affected every Italian government ... must accept the fact that if the dictator falls, it opens an abyss of violence and escape. Here, all the hypocrisy of domestic policy League explodes revolt North Africa. The fist clenches. E Bossi and Maroni cats have pissed attached to the balls.
The objective fact is that neither the one nor the other have never read Joe Sacco.
Harry
Monday, February 21, 2011
Biting Husband's Nipples
Some good reasons to read Grandville (1) steampunk
Grandville of Talbot :
steampunk, fantasy, police procedural, anthropomorphic animals, romance, serial ... beyond (alas) the terms in English that I used, is the work with which today exemplify the syncretic approach in the narrative in comics. A summary is that genetic make-up comics, and that Talbot is at their finest. An example of how this form of communication enabling solutions not possible in other narrative forms.
Harry
Grandville by Bryan Talbot is published in the U.S. by Dark Horse Comics, in Italy by paragraph 22
(continued)
Grandville of Talbot :
steampunk, fantasy, police procedural, anthropomorphic animals, romance, serial ... beyond (alas) the terms in English that I used, is the work with which today exemplify the syncretic approach in the narrative in comics. A summary is that genetic make-up comics, and that Talbot is at their finest. An example of how this form of communication enabling solutions not possible in other narrative forms.
Harry
Grandville by Bryan Talbot is published in the U.S. by Dark Horse Comics, in Italy by paragraph 22
(continued)
Biting Husband's Nipples
Some good reasons to read Grandville (1) steampunk
Grandville of Talbot :
steampunk, fantasy, police procedural, anthropomorphic animals, romance, serial ... beyond (alas) the terms in English that I used, is the work with which today exemplify the syncretic approach in the narrative in comics. A summary is that genetic make-up comics, and that Talbot is at their finest. An example of how this form of communication enabling solutions not possible in other narrative forms.
Harry
Grandville by Bryan Talbot is published in the U.S. by Dark Horse Comics, in Italy by paragraph 22
(continued)
Grandville of Talbot :
steampunk, fantasy, police procedural, anthropomorphic animals, romance, serial ... beyond (alas) the terms in English that I used, is the work with which today exemplify the syncretic approach in the narrative in comics. A summary is that genetic make-up comics, and that Talbot is at their finest. An example of how this form of communication enabling solutions not possible in other narrative forms.
Harry
Grandville by Bryan Talbot is published in the U.S. by Dark Horse Comics, in Italy by paragraph 22
(continued)
Thursday, February 17, 2011
Wednesday, February 16, 2011
Does Pus Come Out Of Gums Is It An Ulcer
In the world of libraries for children ...
There is a children's library near where I live to be managed two intelligent women, who are responsible and determined. Twice a year on their tables expose a personal selection of the latest releases, for an entire week. Customers can visit him in their shop, and browse through all the news show. Those books can not be bought. But you can book. The distribution works well. Within a few days you can get your copy.
The bookseller, these two smart women, work choices and stimulating. That open to the curiosity of many readers. In the library I always go with joy.
Harry
saul steinberg
There is a children's library near where I live to be managed two intelligent women, who are responsible and determined. Twice a year on their tables expose a personal selection of the latest releases, for an entire week. Customers can visit him in their shop, and browse through all the news show. Those books can not be bought. But you can book. The distribution works well. Within a few days you can get your copy.
The bookseller, these two smart women, work choices and stimulating. That open to the curiosity of many readers. In the library I always go with joy.
Harry
Does Pus Come Out Of Gums Is It An Ulcer
In the world of libraries for children ...
There is a children's library near where I live to be managed two intelligent women, who are responsible and determined. Twice a year on their tables expose a personal selection of the latest releases, for an entire week. Customers can visit him in their shop, and browse through all the news show. Those books can not be bought. But you can book. The distribution works well. Within a few days you can get your copy.
The bookseller, these two smart women, work choices and stimulating. That open to the curiosity of many readers. In the library I always go with joy.
Harry
saul steinberg
There is a children's library near where I live to be managed two intelligent women, who are responsible and determined. Twice a year on their tables expose a personal selection of the latest releases, for an entire week. Customers can visit him in their shop, and browse through all the news show. Those books can not be bought. But you can book. The distribution works well. Within a few days you can get your copy.
The bookseller, these two smart women, work choices and stimulating. That open to the curiosity of many readers. In the library I always go with joy.
Harry
Monday, February 14, 2011
How To Resize A Leather Jacker
THE TIME OF THE REVOLUTION YOUTH UNEMPLOYMENT AND SOCIAL NETWORK
Revolutions at the time of web
jasmine From Tunis to the eagles of Tirana, from Facebook to Twitter to You-Tube. The revolt mounted on-line by word of mouth and flows into the streets. Even so the tyrants of the planet are the most regular web surfers, of course, to boycott it. The Chinese government just finds politically incorrect images that shadows are always alive to the problems of insidious human rights, censorship. Activity also carried out by the Iranian authorities to isolate the new generations of the world. The web has a crucial role, which is crucial for planetary geo-political balance. With the commitment we put despots all over the world, science and technology can not be domesticated, they resist censorship, are allied with the most important values: freedom and democracy in particular. Starting from Tunisia, the revolution at the time of the Web has spread like wildfire across North Africa, with the exception of Libya, and the Arabian Peninsula. And in other countries and continents the roar is making itself felt, because the web masters do not know, really, as prophesied his mentors, the agora of full freedom of expression. The people can not only improve the quality of their lives, gain rights trampled on for too long.
is not the first time in history that the new, led by science and technology, balanced way to give people a little hope.
peoples must now seize the new if they want to be masters of their destinies.
Revolutions at the time of web
jasmine From Tunis to the eagles of Tirana, from Facebook to Twitter to You-Tube. The revolt mounted on-line by word of mouth and flows into the streets. Even so the tyrants of the planet are the most regular web surfers, of course, to boycott it. The Chinese government just finds politically incorrect images that shadows are always alive to the problems of insidious human rights, censorship. Activity also carried out by the Iranian authorities to isolate the new generations of the world. The web has a crucial role, which is crucial for planetary geo-political balance. With the commitment we put despots all over the world, science and technology can not be domesticated, they resist censorship, are allied with the most important values: freedom and democracy in particular. Starting from Tunisia, the revolution at the time of the Web has spread like wildfire across North Africa, with the exception of Libya, and the Arabian Peninsula. And in other countries and continents the roar is making itself felt, because the web masters do not know, really, as prophesied his mentors, the agora of full freedom of expression. The people can not only improve the quality of their lives, gain rights trampled on for too long.
is not the first time in history that the new, led by science and technology, balanced way to give people a little hope.
peoples must now seize the new if they want to be masters of their destinies.
How To Resize A Leather Jacker
THE TIME OF THE REVOLUTION YOUTH UNEMPLOYMENT AND SOCIAL NETWORK
Revolutions at the time of web
jasmine From Tunis to the eagles of Tirana, from Facebook to Twitter to You-Tube. The revolt mounted on-line by word of mouth and flows into the streets. Even so the tyrants of the planet are the most regular web surfers, of course, to boycott it. The Chinese government just finds politically incorrect images that shadows are always alive to the problems of insidious human rights, censorship. Activity also carried out by the Iranian authorities to isolate the new generations of the world. The web has a crucial role, which is crucial for planetary geo-political balance. With the commitment we put despots all over the world, science and technology can not be domesticated, they resist censorship, are allied with the most important values: freedom and democracy in particular. Starting from Tunisia, the revolution at the time of the Web has spread like wildfire across North Africa, with the exception of Libya, and the Arabian Peninsula. And in other countries and continents the roar is making itself felt, because the web masters do not know, really, as prophesied his mentors, the agora of full freedom of expression. The people can not only improve the quality of their lives, gain rights trampled on for too long.
is not the first time in history that the new, led by science and technology, balanced way to give people a little hope.
peoples must now seize the new if they want to be masters of their destinies.
Revolutions at the time of web
jasmine From Tunis to the eagles of Tirana, from Facebook to Twitter to You-Tube. The revolt mounted on-line by word of mouth and flows into the streets. Even so the tyrants of the planet are the most regular web surfers, of course, to boycott it. The Chinese government just finds politically incorrect images that shadows are always alive to the problems of insidious human rights, censorship. Activity also carried out by the Iranian authorities to isolate the new generations of the world. The web has a crucial role, which is crucial for planetary geo-political balance. With the commitment we put despots all over the world, science and technology can not be domesticated, they resist censorship, are allied with the most important values: freedom and democracy in particular. Starting from Tunisia, the revolution at the time of the Web has spread like wildfire across North Africa, with the exception of Libya, and the Arabian Peninsula. And in other countries and continents the roar is making itself felt, because the web masters do not know, really, as prophesied his mentors, the agora of full freedom of expression. The people can not only improve the quality of their lives, gain rights trampled on for too long.
is not the first time in history that the new, led by science and technology, balanced way to give people a little hope.
peoples must now seize the new if they want to be masters of their destinies.
Thursday, February 10, 2011
Egg White Before Menstruation
X-9, again on Al Williamson
time ago remembered Al Williamson, at the his death, speaking of his work because the ink on pencils of John Romita JR in Daredevil stories written by Ann Nocenti (s Frank Miller). It has been decades long. But even before the ink to specialize, also due to its slowness in the realization of complete tables for many years worked with Archie Goodwin (another author and editor of the indispensable history of American popular comic strip) to a daily strip, X -9 , a secret agent-style invented by classic odd couple Dashiell Hammett and Alex Raymond in the '30s. In the second half 60s was asked Goodwin and Williamson groped for a revival of the character, a raise that was very successful and continued with the authors until 1980.
tables of Williamson are still full of intelligence, taste and sense of rhythm of the narrative. are a school, as far as I'm concerned, the non-superhero comic book adventure . A solid system for a character is simple and well characterized through the wild on every possible variation on the theme of espionage and yellow. The boards are reporting that in 1966, Goodwin was experiencing the tradition, moving from one strip to the other scripts in a fluid and natural. But is that Williamson is just perfect. In these examples has not yet reached his full artistic synthesis, which will mature with experience and production needs, and are still evident all the great masters realistic referenced. Yet states have a clarity of purpose and visual expression that is pure talent. Nothing over the top, nothing pulled away, leaving nothing to chance. Care and intelligence, in short, for a product that can not be serial. As demonstrated by this classic car chase.
Harry
(forgive scans inaccurate, but the tables are very large in size and my scanner is very small in size)
tables Al Williamson and Archie Goodwin
time ago remembered Al Williamson, at the his death, speaking of his work because the ink on pencils of John Romita JR in Daredevil stories written by Ann Nocenti (s Frank Miller). It has been decades long. But even before the ink to specialize, also due to its slowness in the realization of complete tables for many years worked with Archie Goodwin (another author and editor of the indispensable history of American popular comic strip) to a daily strip, X -9 , a secret agent-style invented by classic odd couple Dashiell Hammett and Alex Raymond in the '30s. In the second half 60s was asked Goodwin and Williamson groped for a revival of the character, a raise that was very successful and continued with the authors until 1980.
tables of Williamson are still full of intelligence, taste and sense of rhythm of the narrative. are a school, as far as I'm concerned, the non-superhero comic book adventure . A solid system for a character is simple and well characterized through the wild on every possible variation on the theme of espionage and yellow. The boards are reporting that in 1966, Goodwin was experiencing the tradition, moving from one strip to the other scripts in a fluid and natural. But is that Williamson is just perfect. In these examples has not yet reached his full artistic synthesis, which will mature with experience and production needs, and are still evident all the great masters realistic referenced. Yet states have a clarity of purpose and visual expression that is pure talent. Nothing over the top, nothing pulled away, leaving nothing to chance. Care and intelligence, in short, for a product that can not be serial. As demonstrated by this classic car chase.
Harry
(forgive scans inaccurate, but the tables are very large in size and my scanner is very small in size)
tables Al Williamson and Archie Goodwin
Egg White Before Menstruation
X-9, again on Al Williamson
time ago remembered Al Williamson, at the his death, speaking of his work because the ink on pencils of John Romita JR in Daredevil stories written by Ann Nocenti (s Frank Miller). It has been decades long. But even before the ink to specialize, also due to its slowness in the realization of complete tables for many years worked with Archie Goodwin (another author and editor of the indispensable history of American popular comic strip) to a daily strip, X -9 , a secret agent-style invented by classic odd couple Dashiell Hammett and Alex Raymond in the '30s. In the second half 60s was asked Goodwin and Williamson groped for a revival of the character, a raise that was very successful and continued with the authors until 1980.
tables of Williamson are still full of intelligence, taste and sense of rhythm of the narrative. are a school, as far as I'm concerned, the non-superhero comic book adventure . A solid system for a character is simple and well characterized through the wild on every possible variation on the theme of espionage and yellow. The boards are reporting that in 1966, Goodwin was experiencing the tradition, moving from one strip to the other scripts in a fluid and natural. But is that Williamson is just perfect. In these examples has not yet reached his full artistic synthesis, which will mature with experience and production needs, and are still evident all the great masters realistic referenced. Yet states have a clarity of purpose and visual expression that is pure talent. Nothing over the top, nothing pulled away, leaving nothing to chance. Care and intelligence, in short, for a product that can not be serial. As demonstrated by this classic car chase.
Harry
(forgive scans inaccurate, but the tables are very large in size and my scanner is very small in size)
tables Al Williamson and Archie Goodwin
time ago remembered Al Williamson, at the his death, speaking of his work because the ink on pencils of John Romita JR in Daredevil stories written by Ann Nocenti (s Frank Miller). It has been decades long. But even before the ink to specialize, also due to its slowness in the realization of complete tables for many years worked with Archie Goodwin (another author and editor of the indispensable history of American popular comic strip) to a daily strip, X -9 , a secret agent-style invented by classic odd couple Dashiell Hammett and Alex Raymond in the '30s. In the second half 60s was asked Goodwin and Williamson groped for a revival of the character, a raise that was very successful and continued with the authors until 1980.
tables of Williamson are still full of intelligence, taste and sense of rhythm of the narrative. are a school, as far as I'm concerned, the non-superhero comic book adventure . A solid system for a character is simple and well characterized through the wild on every possible variation on the theme of espionage and yellow. The boards are reporting that in 1966, Goodwin was experiencing the tradition, moving from one strip to the other scripts in a fluid and natural. But is that Williamson is just perfect. In these examples has not yet reached his full artistic synthesis, which will mature with experience and production needs, and are still evident all the great masters realistic referenced. Yet states have a clarity of purpose and visual expression that is pure talent. Nothing over the top, nothing pulled away, leaving nothing to chance. Care and intelligence, in short, for a product that can not be serial. As demonstrated by this classic car chase.
Harry
(forgive scans inaccurate, but the tables are very large in size and my scanner is very small in size)
tables Al Williamson and Archie Goodwin
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