Julia - Common Destiny When Julia was born
,
Berardi seemed unrecognizable. If not in the study, at least in those stories, by the type graphics, pedantic repetition of the development of individual episodes. But Berardi had just needs time, and I with him, to get where he wanted: a
precise format in which to develop, along with his trusted collaborators (and talented) and
Mantero Calza,
narrative ritual our time on the suffering of everyday life. This vocation has been largely respected, without losing sight of the need for general, fun, rhythm and a schematic of obligation.
After running in, well, Julia Bonelli series has become one of the most beautiful and amazing and warm and hard and realistic that people can read them in the Roaring Twenties. You want a clear example? Synchronized with the number currently on newsstands,
The hands of fate , and starts running with the waves of time varies and desperate humanity that surrounds the existence of Julia. Existentialism is a fiction, dell'anomia social representation of these years, after the loss of any reference. Where the main character, beautiful, sad, smart has nothing in their hands, not pulling the strings, not governments, not wins, we lose, no castle, no fights, ... all losers, all victims, all because unable to find a meaning of life, to surrender the idea that the simple but eternal life has no meaning, or route, or an end. And so, leaving only the background noise. Unless you know how to stop, turn off the radio and then silence.
Berardi and socks and short stories with a sense of rhythm and a driving narrative that has a chorus that's hypnotic and circular. The technology for a clear thought.
Harry
by julia 149, drawings by Stephen small, screenplay by Giancarlo Berardi and lorenzo shoes -
Sergio Bonelli Editore
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