and Codes Sandwiches
I happen several times, I know, thanks to increasingly metafumettistico approach of many of the authors I love. Yet I thank John Doe 5 of Recchioni and Genovese for reminding me the question of "language" of "codes" or whatever the hell we want to call them. In mid-story, Genovese change style, and plunges us into six plates of pure Diabolik. A dive that takes place from the first picture of those six boards, for me, and I was struck by the effectiveness and emotional changes that underlies it. Here, the cartoon serial is often done these things. Think of the Disney cartoons, for example. Diabolik this is perhaps the most consistent and hard ... . No John Doe, John Doe has a large heterogeneity so that it is difficult for me to find a common substrate for various episodes. Artistic choices, production difficulties and so on. Strengths or weaknesses?
This is what has wanted to deal with Giancarlo Berardi Julia, of this common code, and across the recognizable series that accompanies each story and precise moves emotions and expectations. A job that know how I overlooked for years, and why not, not well understood. In March, the newsstands are
Laura Sugars the designs of Julia. She is, for me , the canon of Julia. And it is very good.
Incidentally, I tell you that John Doe 5 is the funniest story of Recchioni I've read in years and Luca Genovese is the perfect accomplice. Pure talent.
Harry
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