(c) bryan talbot
In Grandville Mon Amour, unprecedented in Italy, there is a scary villain, the kind that you always get behind. Talbot the outlines in a schematic way, in a fully functional interweaving, only to reveal the paradox in the course of history. His evil hidden from the role of soldiers is actually pure perversion. It's the hypocrisy that always gets behind.
Harry
pp. 20-21
page. 38
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