Wii Powersupply Canada

Maakies and the pace

When I think of comic books, the first thing I ask is because ... there are people who choose this form of communication and expression? Why this and not others? This question is still
first reflections on the quality of what we are told, the narrative content, technology, ... When I read
Tony Millionaire the question becomes redundant. Tony and comics. His thinking is developed in that form. And his plates, whatever the topic, whatever the words are the quintessence of the narrative in comics. Also in Maakeis , where Millionaire seems simply to have fun with vaudeville tricks, he shows us the infinite possibilities of the narrative in comics, and a reflection on the essential rhythm, fishing with both hands in the tradition of old strips, Krazy Kat first .
Look at this.

The strips are developed in two parallel parts. The main, large format, and a secondary, small, below.

The former is a more free form, which changes from strip to strip, but in which you can still observe a definite rhythm narrative that leads to the final resolution of the gag. What happens below in the secondary strip, is even more interesting in terms of rhythm. There is a continuous alternation, in a time syncopated track, where the characters take turns to an alien landscape (alien?! Or contestualizzante?) In many ways reminiscent of the metaphysical territories Krazy Kat. The gags are mostly idiotic, but it is the essence of the comic, its narrative devices to make Maakies missed.

is a small selection of strips complete.

propose again just below the secondary strips.

Harry

all strips are (c) of Tony Millionaire. maakies is published in English dark horse for

Wii Powersupply Canada

Maakies and the pace

When I think of comic books, the first thing I ask is because ... there are people who choose this form of communication and expression? Why this and not others? This question is still
first reflections on the quality of what we are told, the narrative content, technology, ... When I read
Tony Millionaire the question becomes redundant. Tony and comics. His thinking is developed in that form. And his plates, whatever the topic, whatever the words are the quintessence of the narrative in comics. Also in Maakeis , where Millionaire seems simply to have fun with vaudeville tricks, he shows us the infinite possibilities of the narrative in comics, and a reflection on the essential rhythm, fishing with both hands in the tradition of old strips, Krazy Kat first .
Look at this.

The strips are developed in two parallel parts. The main, large format, and a secondary, small, below.

The former is a more free form, which changes from strip to strip, but in which you can still observe a definite rhythm narrative that leads to the final resolution of the gag. What happens below in the secondary strip, is even more interesting in terms of rhythm. There is a continuous alternation, in a time syncopated track, where the characters take turns to an alien landscape (alien?! Or contestualizzante?) In many ways reminiscent of the metaphysical territories Krazy Kat. The gags are mostly idiotic, but it is the essence of the comic, its narrative devices to make Maakies missed.

is a small selection of strips complete.

propose again just below the secondary strips.

Harry

all strips are (c) of Tony Millionaire. maakies is published in English dark horse for

Does Miley Cyrus Have Herpes

Old advancing

design fletcher hanks

are read around the more strange news.
It is said that more than one publisher wants to propose dated material, free of rights. It is not a simple product to sell, nowadays. It has a potential interest to the reader rather low for at least two reasons: being free from duties and found quite easily on the net, anyone can get it without spending money, the material is very dated and, in some cases, suffered from deadly weather elapsed.
Now, if you have this connection, you have to package it in order to be able to make a unique, engaging, a collector's item.
A successful case? Find the work done by Paul Karasik with the work found that strange that cartoonist Fletcher Hanks was . The publication of Karasik for Fantagraphics has also won several awards in the States, both for the historical importance of the discovery, both for the quality of the edition. Well, Karasik has managed to do two books a perfect balance between philological care and produced pop, making the most of that material.

In Italy, however, seems to want to enhance it (?) Compared with a translated copy of the cover price and certainly not reduced. This does not Feedback is an estimate, but a suggestion. You can think again. Pena a sensational hole in the water.

Harry